Boogie Woogie (music)
   HOME

TheInfoList



OR:

Boogie-woogie is a
genre Genre () is any form or type of communication in any mode (written, spoken, digital, artistic, etc.) with socially-agreed-upon conventions developed over time. In popular usage, it normally describes a category of literature, music, or other for ...
of
blues Blues is a music genre and musical form which originated in the Deep South of the United States around the 1860s. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the Afr ...
music that became popular during the late 1920s, developed in African-American communities since 1870s.Paul, Elliot, ''That Crazy American Music'' (1957), Chapter 10, p. 229. It was eventually extended from piano, to piano duo and trio, guitar,
big band A big band or jazz orchestra is a type of musical ensemble of jazz music that usually consists of ten or more musicians with four sections: saxophones, trumpets, trombones, and a rhythm section. Big bands originated during the early 1910s an ...
,
country and western music Country (also called country and western) is a genre of popular music that originated in the Southern and Southwestern United States in the early 1920s. It primarily derives from blues, church music such as Southern gospel and spirituals, old ...
, and
gospel Gospel originally meant the Christian message ("the gospel"), but in the 2nd century it came to be used also for the books in which the message was set out. In this sense a gospel can be defined as a loose-knit, episodic narrative of the words an ...
. While standard blues traditionally expresses a variety of emotions, boogie-woogie is mainly associated with
dancing Dance is a performing art form consisting of sequences of movement, either improvised or purposefully selected. This movement has aesthetic and often symbolic value. Dance can be categorized and described by its choreography, by its repertoire ...
(although not the competitive dance known as
boogie-woogie Boogie-woogie is a genre of blues music that became popular during the late 1920s, developed in African-American communities since 1870s.Paul, Elliot, ''That Crazy American Music'' (1957), Chapter 10, p. 229. It was eventually extended from pian ...
, a term of convenience in that sport). The genre had a significant influence on
rhythm and blues Rhythm and blues, frequently abbreviated as R&B or R'n'B, is a genre of popular music that originated in African-American communities in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly ...
and
rock and roll Rock and roll (often written as rock & roll, rock 'n' roll, or rock 'n roll) is a Genre (music), genre of popular music that evolved in the United States during the late 1940s and early 1950s. It Origins of rock and roll, originated from Africa ...
.


Musical features

Boogie-woogie is characterized by a regular left-hand bass figure, which is transposed following the chord changes. : : Boogie-woogie is not strictly a solo piano style; it can accompany singers and be featured in orchestras and small combos. It is sometimes called ''"eight to the
bar Bar or BAR may refer to: Food and drink * Bar (establishment), selling alcoholic beverages * Candy bar * Chocolate bar Science and technology * Bar (river morphology), a deposit of sediment * Bar (tropical cyclone), a layer of cloud * Bar (u ...
"'', as much of it is written in
common time The time signature (also known as meter signature, metre signature, or measure signature) is a notational convention used in Western musical notation to specify how many beats (pulses) are contained in each measure (bar), and which note value ...
() time using
eighth notes image:Eighth notes and rest.svg, 180px, Figure 1. An eighth note with stem extending up, an eighth note with stem extending down, and an eighth rest. image:Eighth note run.svg, 180px, Figure 2. Four eighth notes beamed together. An eighth no ...
(
quaver 180px, Figure 1. An eighth note with stem extending up, an eighth note with stem extending down, and an eighth rest. 180px, Figure 2. Four eighth notes beamed together. An eighth note (American) or a quaver (British) is a musical note play ...
s) (see
time signature The time signature (also known as meter signature, metre signature, or measure signature) is a notational convention used in Western musical notation to specify how many beats (pulses) are contained in each measure (bar), and which note value ...
). The
chord progressions In a musical composition, a chord progression or harmonic progression (informally chord changes, used as a plural) is a succession of chords. Chord progressions are the foundation of harmony in Western musical tradition from the common practic ...
are typically based on I–IV–V–I (with many formal variations of it, such as I/i–IV/iv–v/I, as well as chords that lead into these ones). For the most part, boogie-woogie tunes are
twelve-bar blues The 12-bar blues (or blues changes) is one of the most prominent chord progressions in popular music. The blues progression has a distinctive form in lyrics, phrase, chord structure, and duration. In its basic form, it is predominantly based on ...
, although the style has been applied to popular songs such as " Swanee River" and hymns such as "
Just a Closer Walk with Thee "Just a Closer Walk with Thee" is a traditional gospel song and jazz standard that has been performed and recorded by many artists. Performed as either an instrumental or vocal, "A Closer Walk" is perhaps the most frequently played number in the ...
". Typical boogie-woogie bassline: : :


History


1870s–1930s

Several African terms have been suggested as having some interesting linguistic precursors to "boogie": Among them are the: #
Hausa Hausa may refer to: * Hausa people, an ethnic group of West Africa * Hausa language, spoken in West Africa * Hausa Kingdoms, a historical collection of Hausa city-states * Hausa (horse) or Dongola horse, an African breed of riding horse See also * ...
word "Boog", and # Mandingo word "Booga" (both of which mean "to beat", as in beating a drum) # West African word "Bogi" (which means "to dance")''
The South Bank Show ''The South Bank Show'' is a British television arts magazine series originally produced by London Weekend Television and broadcast on ITV between 1978 and 2010. A new version of the series began 27 May 2012 on Sky Arts. Conceived, written, ...
'' (UK television series), episode on Boogie Woogie, 1986, with commentary by Paul Oliver.
#
Bantu Bantu may refer to: *Bantu languages, constitute the largest sub-branch of the Niger–Congo languages *Bantu peoples, over 400 peoples of Africa speaking a Bantu language * Bantu knots, a type of African hairstyle *Black Association for National ...
term "Mbuki Mvuki" (Mbuki: "to take off in flight"; Mvuki: "to dance wildly, as if to shake off one's clothes"). The African origin of these terms is consistent with the African-American origin of the music. In sheet music literature prior to 1900, there are at least three examples of the word "boogie" in music titles in the archives of the
Library of Congress The Library of Congress (LOC) is the research library that officially serves the United States Congress and is the ''de facto'' national library of the United States. It is the oldest federal cultural institution in the country. The library is ...
. In 1901, "Hoogie Boogie" appeared in the title of published sheet music, the first known instance where a redoubling of the word "Boogie" occurs in the title of published music. (In 1880, "The Boogie Man" had occurred as the title of published music.) The first use of "Boogie" in a recording title appears to be a "blue cylinder" recording made by Edison of the "American Quartet" performing "That Syncopated Boogie Boo" in 1913. The ''
Oxford English Dictionary The ''Oxford English Dictionary'' (''OED'') is the first and foundational historical dictionary of the English language, published by Oxford University Press (OUP). It traces the historical development of the English language, providing a com ...
'' states that the word is a
reduplication In linguistics, reduplication is a morphological process in which the root or stem of a word (or part of it) or even the whole word is repeated exactly or with a slight change. The classic observation on the semantics of reduplication is Edwa ...
of ''boogie'', which was used for " rent parties" as early as 1913. "Boogie" next occurs in the title of
Wilbur Sweatman Wilbur Coleman Sweatman (February 7, 1882 – March 9, 1961) was an American ragtime and dixieland jazz composer, bandleader and clarinetist. Sweatman was one of the first African-American musicians to have fans nationwide. He was also a trail ...
's April 1917 recording of "Boogie Rag". None of these sheet music or audio recording examples contain the musical elements that would identify them as boogie-woogie. The 1919 recordings (two takes) of "
Weary Blues "Weary Blues" is a 1915 tune by Artie Matthews. Despite the name, the form is a multi-strain ragtime rather than a conventional blues. (At the time it was published, many hot or raggy numbers were published with the word "Blues" in the title). It ...
" by the
Louisiana Five The Louisiana Five was an early Dixieland jazz band that was active from 1917 to 1920. It was among the earliest jazz groups to record extensively. The Louisiana Five was led by drummer Anton Lada. History The Louisiana Five was formed in New Y ...
contained the same boogie-woogie bass figure as appears in the 1915 "Weary Blues" sheet music by
Artie Matthews Artie Matthews (November 15, 1888 – October 25, 1958) was an American songwriter, pianist, and ragtime composer. Artie Matthews was born in Braidwood, Illinois; his family moved to Springfield, Illinois in his youth. He learned to play p ...
. Tennison has recognized these 1919 recordings as the earliest sound recordings which contain a boogie-woogie bass figure.
Blind Lemon Jefferson Lemon Henry "Blind Lemon" Jefferson (September 24, 1893 – December 19, 1929)Some sources indicate Jefferson was born on October 26, 1894. was an American blues and gospel singer-songwriter and musician. He was one of the most popular blues sing ...
used the term "Booga Rooga" to refer to a guitar bass figure that he used in "Match Box Blues". Jefferson may have heard the term from Huddie "Lead Belly" Ledbetter, who played frequently with Jefferson. Lead Belly, who was born in Mooringsport, La., and grew up in
Harrison County, Texas Harrison County is a county on the eastern border of the U.S. state of Texas. As of the 2020 United States census, its population was 68,839. The county seat is Marshall. The county was created in 1839 and organized in 1842. It is named for Jon ...
, in the community of Leigh, said he first heard boogie-woogie piano in the
Caddo Lake Caddo Lake (french: Lac Caddo) is a lake and bayou (wetland) on the border between Texas and Louisiana, in northern Harrison County and southern Marion County in Texas and western Caddo Parish in Louisiana. The lake is named after the Caddoan ...
area of northeast Texas in 1899. Borneman, Ernest, Chapter 2. "Boogie Woogie" (pp. 13–40), in
Sinclair Traill Eric Sinclair Traill (1905 – 11 January 1981) was a British publisher, chief editor, and music critic of jazz. His career began in 1946, when he launched ''Pick Up'' as a locus for serious jazz criticism in Britain. In May 1948, Traill, using hi ...
and The Hon Gerald Lascelles (eds), ''Just Jazz'', published 1957 for Peter Davies Ltd by The Windmill Press, Kingswood, Surrey, UK.
He said it influenced his guitar-playing. Lead Belly also said he heard boogie-woogie piano in the Fannin Street district of
Shreveport, Louisiana Shreveport ( ) is a city in the U.S. state of Louisiana. It is the third most populous city in Louisiana after New Orleans and Baton Rouge, respectively. The Shreveport–Bossier City metropolitan area, with a population of 393,406 in 2020, is t ...
. Some of the players he heard were Dave Alexander, who recorded for Decca in 1937 as "Black Ivory King", and a piano player called Pine Top (not Pine Top Smith, who was not born until 1904, but possibly Pine Top Williams or Pine Top Hill.) Lead Belly was among the first guitar-players to adapt the rolling bass of boogie-woogie piano. Texas, as the state of origin, became reinforced by
Jelly Roll Morton Ferdinand Joseph LaMothe (later Morton; c. September 20, 1890 – July 10, 1941), known professionally as Jelly Roll Morton, was an American ragtime and jazz pianist, bandleader, and composer. Morton was jazz's first arranger, proving that a gen ...
, who said he heard the boogie piano style there early in the 20th century, as did Leadbelly and
Bunk Johnson Willie Gary "Bunk" Johnson (December 27, 1879 – July 7, 1949) was an American prominent jazz trumpeter in New Orleans. Johnson gave the year of his birth as 1879, although there is speculation that he may have been younger by as much as a dec ...
, according to
Rosetta Reitz Rosetta Reitz (September 28, 1924 – November 1, 2008) was an American feminist and jazz historian who searched for and established a record label producing 18 albums of the music of the early women of jazz and the blues.Martin, Douglas"Rosetta ...
. The first time the modern-day spelling of "boogie-woogie" was used in a title of a published audio recording of music appears to be Pine Top Smith's December 1928 recording titled "Pine Top's Boogie Woogie", a song whose lyrics contain dance instructions to "boogie-woogie". The earliest documented inquiries into the geographical origin of boogie-woogie occurred in the late 1930s when oral histories from the oldest living Americans of both African and European descent revealed a broad consensus that boogie-woogie piano was first played in
Texas Texas (, ; Spanish language, Spanish: ''Texas'', ''Tejas'') is a state in the South Central United States, South Central region of the United States. At 268,596 square miles (695,662 km2), and with more than 29.1 million residents in 2 ...
in the early 1870s. Additional citations place the origins of boogie-woogie in the
Piney Woods The Piney Woods is a temperate coniferous forest terrestrial ecoregion in the Southern United States covering of East Texas, southern Arkansas, western Louisiana, and southeastern Oklahoma. These coniferous forests are dominated by several spec ...
of northeast Texas.


"Fast Western" connection to Marshall and Harrison County, Texas

Max Harrison (in the book ''Jazz'' edited by Hentoff and McCarthy in 1959) and
Mack McCormick Robert Burton "Mack" McCormick (August 3, 1930 – November 18, 2015) was an American musicologist and folklorist. Biography McCormick was born in 1930 in Pittsburgh, Pennsylvania. He was brought up by his mother, in Alabama, Colorado, West V ...
(in the liner notes to his Treasury of Field Recordings, Vol. 2) concluded that "Fast Western" was the first term by which boogie-woogie was known. He stated that "in
Houston Houston (; ) is the most populous city in Texas, the most populous city in the Southern United States, the fourth-most populous city in the United States, and the sixth-most populous city in North America, with a population of 2,304,580 in ...
,
Dallas Dallas () is the List of municipalities in Texas, third largest city in Texas and the largest city in the Dallas–Fort Worth metroplex, the List of metropolitan statistical areas, fourth-largest metropolitan area in the United States at 7.5 ...
, and
Galveston Galveston ( ) is a coastal resort city and port off the Southeast Texas coast on Galveston Island and Pelican Island in the U.S. state of Texas. The community of , with a population of 47,743 in 2010, is the county seat of surrounding Galvesto ...
— all Negro piano players played that way. This style was often referred to as a 'fast western' or 'fast blues' as differentiated from the 'slow blues' of
New Orleans New Orleans ( , ,New Orleans
Merriam-Webster.
; french: La Nouvelle-Orléans , es, Nuev ...
and
St. Louis St. Louis () is the second-largest city in Missouri, United States. It sits near the confluence of the Mississippi and the Missouri Rivers. In 2020, the city proper had a population of 301,578, while the bi-state metropolitan area, which e ...
. At these gatherings the
ragtime Ragtime, also spelled rag-time or rag time, is a musical style that flourished from the 1890s to 1910s. Its cardinal trait is its syncopated or "ragged" rhythm. Ragtime was popularized during the early 20th century by composers such as Scott ...
and blues boys could easily tell from what section of the country a man came, even going so far as to name the town, by his interpretation of a piece." According to Tennison, when he interviewed Lee Ree Sullivan in Texarkana in 1986, Sullivan told him that he was familiar with "Fast Western" and "Fast Texas" as terms to refer to boogie-woogie in general, but not to denote the use of any specific bass figure used in boogie-woogie. Sullivan said that "Fast Western" and "Fast Texas" were terms that derived from the Texas Western Railroad Company of Harrison County.Interview with Lee Ree Sullivan, Boogie Woogie pianist, 1986, Texarkana, AR-TX, by John Tennison and Alfred Tennison, Jr. The company was chartered on February 16, 1852 and changed its name to "Southern Pacific" in 1856. It built its first track from
Marshall, Texas Marshall is a city in the U.S. state of Texas. It is the county seat of Harrison County, Texas, Harrison County and a cultural and educational center of the Ark-La-Tex region. At the 2020 United States census, 2020 U.S. census, the population of M ...
Swanson's Landing at Caddo Lake in 1857. (This Texas-based "Southern Pacific" was not connected to the more well known
Southern Pacific The Southern Pacific (or Espee from the railroad initials- SP) was an American Class I railroad network that existed from 1865 to 1996 and operated largely in the Western United States. The system was operated by various companies under the ...
originating in San Francisco, California.) The Southern Pacific of Texas was bought by the newly formed
Texas and Pacific Railway The Texas and Pacific Railway Company (known as the T&P) was created by federal charter in 1871 with the purpose of building a southern transcontinental railroad between Marshall, Texas, and San Diego, California. History Under the influence of ...
on March 21, 1872. Although the Texas Western Railroad Company changed its name to Southern Pacific, Sullivan said the name "Texas Western" stuck among the slaves who constructed the railroad.


Railroad connection to Marshall and Harrison County, Texas

A key to identifying the geographical area in which boogie-woogie originated is understanding the relationship of boogie-woogie music with the steam railroad, both in the sense of how the music might have been influenced by sounds associated with the arrival of steam locomotives as well as the cultural impact the sudden emergence of the railroad might have had. The railroad did not arrive in northeast Texas as an extension of track from existing lines from the north or the east. Rather, the first railroad locomotives and iron rails were brought to northeast Texas via steamboats from New Orleans via the Mississippi and Red Rivers and Caddo Lake to Swanson's Landing, located on the Louisiana/Texas state line. Beginning with the formation of the Texas Western Railroad Company in Marshall, Texas, through the subsequent establishment in 1871 of the Texas and Pacific Railway company, which located its headquarters and shops there, Marshall was the only railroad hub in the Piney Woods of northeast Texas at the time the music developed. The sudden appearance of steam locomotives and the building of mainline tracks and tap lines to serve logging operations was pivotal to the creation of the music in terms of its sound and rhythm. It was also crucial to the rapid migration of the musical style from the rural barrel house camps to the cities and towns served by the Texas and Pacific Railway Company. "Although the neighboring states of Arkansas, Louisiana, and Missouri would also produce boogie-woogie players and their boogie-woogie tunes, and despite the fact that Chicago would become known as the center for this music through such pianists as
Jimmy Yancey James Edwards Yancey (February 20, c. 1895 – September 17, 1951) was an American boogie-woogie pianist, composer, and lyricist. One reviewer described him as "one of the pioneers of this raucous, rapid-fire, eight-to-the-bar piano style". Bio ...
,
Albert Ammons Albert Clifton Ammons (March 1, 1907 – December 2, 1949) was an American pianist and player of boogie-woogie, a blues style popular from the late 1930s to the mid-1940s. Life and career Ammons was born in Chicago, Illinois. His parents were pi ...
, and
Meade "Lux" Lewis Anderson Meade Lewis (September 4, 1905 – June 7, 1964), known as Meade Lux Lewis, was an American pianist and composer, remembered for his playing in the boogie-woogie style. His best-known work, "Honky Tonk Train Blues", has been recorded by ...
, Texas was home to an environment that fostered creation of boogie-style: the lumber, cattle, turpentine, and oil industries, all served by an expanding railway system from the northern corner of East Texas to the Gulf Coast and from the Louisiana border to
Dallas Dallas () is the List of municipalities in Texas, third largest city in Texas and the largest city in the Dallas–Fort Worth metroplex, the List of metropolitan statistical areas, fourth-largest metropolitan area in the United States at 7.5 ...
and West Texas."
Alan Lomax Alan Lomax (; January 31, 1915 – July 19, 2002) was an American ethnomusicologist, best known for his numerous field recordings of folk music of the 20th century. He was also a musician himself, as well as a folklorist, archivist, writer, sch ...
wrote: "Anonymous black musicians, longing to grab a train and ride away from their troubles, incorporated the rhythms of the steam locomotive and the moan of their whistles into the new dance music they were playing in jukes and dance halls. Boogie-woogie forever changed piano playing, as ham-handed black piano players transformed the instrument into a polyrhythmic railroad train." In the 1986 television broadcast of Britain's ''
The South Bank Show ''The South Bank Show'' is a British television arts magazine series originally produced by London Weekend Television and broadcast on ITV between 1978 and 2010. A new version of the series began 27 May 2012 on Sky Arts. Conceived, written, ...
'' about boogie-woogie, music historian
Paul Oliver Paul Hereford Oliver MBE (25 May 1927 – 15 August 2017) was an English architectural historian and writer on the blues and other forms of African-American music. He was equally distinguished in both fields, although it is likely that aficion ...
noted: "Now the conductors were used to the
logging camp A logging camp (or lumber camp) is a transitory work site used in the logging industry. Before the second half of the 20th century, these camps were the primary place where lumberjacks would live and work to fell trees in a particular area. Many ...
pianists clamoring aboard, telling them a few stories, jumping off the train, getting into another logging camp, and playing again for eight hours, barrel house. In this way the music got around—all through Texas—and eventually, of course, out of Texas. Now when this new form of piano music came from Texas, it moved out towards Louisiana. It was brought by people like
George W. Thomas George Washington Thomas Jr. (March 9, 1883 – March 6, 1937)
Retrieved 4 December 2016
, an early pianist who was already living in New Orleans by about 1910 and writing "New Orleans Hop Scop Blues", which really has some of the characteristics of the music that we came to know as Boogie." Paul Oliver also wrote that George W. Thomas "composed the theme of the New Orleans Hop Scop Blues — in spite of its title — based on the blues he had heard played by the pianists of East Texas." On February 12, 2007, Oliver confirmed to John Tennison that it was
Sippie Wallace Sippie Wallace (born Beulah Belle Thomas, November 1, 1898 – November 1, 1986) was an American blues singer, pianist and songwriter. Her early career in tent shows gained her the billing "The Texas Nightingale". Between 1923 and 1927, she recor ...
who told Oliver that performances by East Texas pianists had formed the basis for George Thomas's "Hop Scop Blues". Brothers George Thomas and
Hersal Thomas Hersal Thomas (September 9, 1906 – June 2, 1926) was an American blues pianist and composer. He recorded a number of sides for Okeh Records in 1925 and 1926. Thomas was born in Houston, Texas, United States, and displayed an early talent ...
migrated from Texas to Chicago and brought boogie-woogie with them, influencing a number of pianists, including Jimmy Yancey, Meade Lux Lewis, and Albert Ammons. Many elements now recognized as foundational elements of boogie-woogie are present in their 1922 song "The Fives".


Texas and Pacific Railway stops associated with names for boogie-woogie left-hand bass lines

Early generation boogie-woogie players recognized basic boogie-woogie bass lines by geographical locations with which they associated them. Lee Ree Sullivan identified a number of these left hand bass lines for Tennison in 1986. From the primitive to the complex, those identifications indicate that the most primitive form of the music was associated with Marshall, Texas – and that the left-hand bass lines grew more complex as the distance from Marshall increased. The most primitive of these left hand bass lines is the one that was called "the Marshall". It is a simple, four-beats-to-the-bar figure. The second-most primitive bass-line, called "the Jefferson", is also four-beats-to-the-bar, but goes down in pitch on the last note in each four-note cycle. It has been suggested that this downturn in pitch reveals a possible New Orleans influence.
Jefferson, Texas Jefferson is a city in Marion County, Texas, Marion County, in the U.S. state of Texas's Northeast Texas, northeastern region. With a population of 1,875 at the 2020 United States census, it is the county seat of Marion. History Almost every comm ...
, about 17 miles north of Marshall, was the westernmost port of a steamboat route that connected to New Orleans via Caddo Lake, the Red River, and the Mississippi River. The remaining bass lines rise in complexity with distance from Marshall, Texas as one would expect variations and innovations would occur as the territory in which the music has been introduced expands.


Marshall and Harrison County Texas and the origin of boogie-woogie

In January 2010, John Tennison summarized his research into the origins of boogie-woogie with the conclusion that Marshall, Texas is "the municipality whose boundaries are most likely to encompass or be closest to the point on the map which is the geographic center of gravity for all instances of Boogie Woogie performance between 1870 and 1880". Tennison states: "Given the account of Elliot Paul, and given that Lead Belly witnessed boogie-woogie in 1899 in the Arklatex; and given the North to South migration of the Thomas family; and given the Texas & Pacific headquarters in Marshall in the early 1870s; and given that Harrison County had the largest slave population in the state of Texas; and given the fact that the best-documented and largest-scale turpentine camps in Texas did not occur until after 1900 in Southeast Texas, it is most probable that boogie-woogie spread from Northeast to Southeast Texas, rather than from Southeast to Northeast Texas, or by having developed diffusely with an even density over all of the Piney Woods of East Texas. It would not be surprising if there was as yet undiscovered evidence of the earliest boogie-woogie performances buried (metaphorically or literally) in Northeast Texas." On May 13, 2010, the Marshall City Commission enacted an official declaration naming Marshall as the "birthplace" of boogie-woogie music, and embarked on a program to encourage additional historical research and to stimulate interest in and appreciation for the early African-American culture in northeast Texas that played a vital role in creating boogie-woogie music. "Birthplace of Boogie Woogie" was registered by the Marshall Convention and Visitors on June 21, 2011.


Development of modern boogie-woogie

A song titled "
Tin Roof Blues "Tin Roof Blues" is a jazz composition by the New Orleans Rhythm Kings first recorded in 1923. It was written by band members Paul Mares, Ben Pollack, Mel Stitzel, George Brunies and Leon Roppolo. The tune has become a jazz standard and is one o ...
" was published in 1923 by the Clarence Williams Publishing Company. Compositional credit is given to
Richard M. Jones Richard M. Jones, born Richard Marigny Jones (sometimes written Richard Mariney Jones), (June 13, 1892 – December 8, 1945) was an American jazz pianist, composer, band leader, and record producer. Numerous songs bear his name as author, includi ...
. The Jones composition uses a boogie bass in the introduction with some variation throughout. In February 1923,
Joseph Samuels Joseph Samuels was an American musician and bandleader, who is today virtually only known through his recordings. The mysterious Joseph Samuels Practically nothing seems to be known about Joseph Samuels as a person, and the dates of his birth ...
' Tampa Blue Jazz Band recorded the George W. Thomas number "The Fives" for
Okeh Records Okeh Records () is an American record label founded by the Otto Heinemann Phonograph Corporation, a phonograph supplier established in 1916, which branched out into phonograph records in 1918. The name was spelled "OkeH" from the initials of Ott ...
, considered the first example of jazz band boogie-woogie.
Jimmy Blythe James Louis Blythe (May 20, 1901 – June 14, 1931) was an American jazz and boogie-woogie pianist and composer. Blythe is known to have recorded as many as 300 piano rolls, and his song "Chicago Stomp" is considered one of the earliest examples ...
's recording of "Chicago Stomps" from April 1924 is sometimes called the first complete boogie-woogie piano solo record. The first boogie-woogie hit was "Pinetop's Boogie Woogie" by
Pinetop Smith Clarence Smith (June 11, 1904 – March 15, 1929), better known as Pinetop Smith or Pine Top Smith, was an American boogie-woogie style blues pianist. His hit tune "Pine Top's Boogie Woogie" featured rhythmic "breaks" that were an essential i ...
, recorded in 1928 and first released in 1929. Smith's record was the first boogie-woogie recording to be a commercial hit, and helped establish "boogie-woogie" as the name of the style. It was closely followed by another example of pure boogie-woogie, "
Honky Tonk Train Blues "Honky Tonk Train Blues" is a song written by Meade Lux Lewis, and first recorded in 1927. A proto boogie-woogie song, it has many of the traits that would come to be identified with rock and roll. It is also the first recorded use of the term "ho ...
" by Meade Lux Lewis, recorded by
Paramount Records Paramount Records was an American record label known for its recordings of jazz and blues in the 1920s and early 1930s, including such artists as Ma Rainey, Tommy Johnson and Blind Lemon Jefferson. Early years Paramount Records was formed in 19 ...
(1927), first released in March 1930. The performance emulated a railroad trip, perhaps lending credence to the "train theory".


1930s to 1940s: Carnegie Hall and swing

Boogie-woogie gained further public attention in 1938, thanks to the ''
From Spirituals to Swing ''From Spirituals to Swing'' was the title of two concerts presented by John Hammond in Carnegie Hall on 23 December 1938 and 24 December 1939. The concerts included performances by Count Basie, Benny Goodman, Big Joe Turner and Pete Johnso ...
'' concert in
Carnegie Hall Carnegie Hall ( ) is a concert venue in Midtown Manhattan in New York City. It is at 881 Seventh Avenue (Manhattan), Seventh Avenue, occupying the east side of Seventh Avenue between West 56th Street (Manhattan), 56th and 57th Street (Manhatta ...
promoted by
record producer A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure.Virgil Moorefield"Introduction" ''The Producer as ...
John Hammond. The concert featured
Big Joe Turner Joseph Vernon "Big Joe" Turner Jr. (May 18, 1911 – November 24, 1985) was an American singer from Kansas City, Missouri. According to songwriter Doc Pomus, "Rock and roll would have never happened without him." His greatest fame was due to ...
and Pete Johnson performing Turner's tribute to Johnson, "
Roll 'Em Pete "Roll 'Em Pete" is a blues song, originally recorded in December 1938 by Big Joe Turner and pianist Pete Johnson (musician), Pete Johnson. The recording is regarded as one of the most important precursors of what later became known as rock and ro ...
", as well as Meade Lux Lewis performing "Honky Tonk Train Blues" and Albert Ammons playing "Swanee River Boogie". "Roll 'Em Pete" is now considered to be an early
rock and roll Rock and roll (often written as rock & roll, rock 'n' roll, or rock 'n roll) is a Genre (music), genre of popular music that evolved in the United States during the late 1940s and early 1950s. It Origins of rock and roll, originated from Africa ...
song. These three pianists, with Turner, took up residence in the
Café Society Café society was the description of the "Beautiful People" and "Bright Young Things" who gathered in fashionable cafés and restaurants in New York, Paris and London beginning in the late 19th century. Maury Henry Biddle Paul is credited with ...
night club in
New York City New York, often called New York City or NYC, is the List of United States cities by population, most populous city in the United States. With a 2020 population of 8,804,190 distributed over , New York City is also the L ...
where they were popular with the sophisticated set. They often played in combinations of two and even three pianos, creating a richly textured piano performance. After the Carnegie Hall concert, it was only natural for swing bands to incorporate the boogie-woogie beat into some of their music.
Tommy Dorsey Thomas Francis Dorsey Jr. (November 19, 1905 – November 26, 1956) was an American jazz trombonist, composer, conductor and bandleader of the big band era. He was known as the "Sentimental Gentleman of Swing" because of his smooth-toned trombo ...
's band recorded an updated version of "
Pine Top's Boogie Woogie Clarence Smith (June 11, 1904 – March 15, 1929), better known as Pinetop Smith or Pine Top Smith, was an American boogie-woogie style blues pianist. His hit tune "Pine Top's Boogie Woogie" featured rhythmic "breaks" that were an essential i ...
" in 1938, which (as "Boogie Woogie") became a hit in 1943 and 1945, and was to become the
swing era The swing era (also frequently referred to as the big band era) was the period (1933–1947) when big band swing music was the most popular music in the United States. Though this was its most popular period, the music had actually been aroun ...
's second best seller, only second to
Glenn Miller Alton Glen Miller (March 1, 1904 – December 15, 1944) was an American big band founder, owner, conductor, composer, arranger, trombone player and recording artist before and during World War II, when he was an officer in the United States Arm ...
's "
In the Mood "In the Mood" is a popular big band-era jazz standard recorded by American bandleader Glenn Miller. "In the Mood" is based on the composition "Tar Paper Stomp" by Wingy Manone. The first recording under the name "In the Mood" was released by E ...
". In 1939, at the suggestion of
Columbia Records Columbia Records is an American record label owned by Sony Music, Sony Music Entertainment, a subsidiary of Sony Corporation of America, the North American division of Japanese Conglomerate (company), conglomerate Sony. It was founded on Janua ...
producer John Hammond,
Harry James Harry Haag James (March 15, 1916 – July 5, 1983) was an American musician who is best known as a trumpet-playing band leader who led a big band from 1939 to 1946. He broke up his band for a short period in 1947 but shortly after he reorganized ...
recorded the singles
Boo-Woo "Boo-Woo" is the A-side of the 78-rpm jazz instrumental single recorded on February 1, 1939 by Harry James and The Boogie Woogie Trio. Shortly after leaving Benny Goodman's band and before starting his own band, James entered the studio at the s ...
and Woo-Woo with Pete Johnson and
Albert Ammons Albert Clifton Ammons (March 1, 1907 – December 2, 1949) was an American pianist and player of boogie-woogie, a blues style popular from the late 1930s to the mid-1940s. Life and career Ammons was born in Chicago, Illinois. His parents were pi ...
. Also from 1939, the
Will Bradley Wilbur Schwichtenberg (July 12, 1912 – July 15, 1989), known professionally as Will Bradley, was an American trombonist and bandleader during the 1930s and 1940s. He performed swing, dance music, and boogie-woogie songs, many of them written b ...
orchestra had a string of boogie hits such as the original versions of " Beat Me Daddy (Eight To The Bar)" and "
Down the Road a Piece "Down the Road a Piece" is a boogie-woogie song written by Don Raye. In 1940, it was recorded by the Will Bradley Trio and became a top 10 hit in the closing months of the year. Called "a neat little amalgam of bluesy rhythm and vivid, catchy ly ...
", both 1940, and "Scrub Me Mamma With A Boogie Beat", in 1941. That same year,
The Andrews Sisters The Andrews Sisters were an American close harmony singing group of the Swing music, swing and boogie-woogie eras. The group consisted of three sisters: contralto LaVerne Sophia Andrews (July 6, 1911 – May 8, 1967), soprano Maxene Anglyn Andre ...
had a top 10 hit single with their recording of "Boogie Woogie Bugle Boy". The popularity of the Carnegie Hall concert meant work for many of the fellow boogie players and also led to the adaptation of boogie-woogie sounds to many other forms of music.
Tommy Dorsey Thomas Francis Dorsey Jr. (November 19, 1905 – November 26, 1956) was an American jazz trombonist, composer, conductor and bandleader of the big band era. He was known as the "Sentimental Gentleman of Swing" because of his smooth-toned trombo ...
's band had a hit with "T.D.'s Boogie Woogie" as arranged by
Sy Oliver Melvin James "Sy" Oliver (December 17, 1910 – May 28, 1988) was an American jazz arranger, trumpeter, composer, singer and bandleader. Life Sy Oliver was born in Battle Creek, Michigan, United States. His mother was a piano teacher, and his ...
, and soon there were boogie-woogie songs, recorded and printed, of many different stripes. These included most famously, in the big-band genre, the ubiquitous "Boogie Woogie Bugle Boy", which was revamped by
Christina Aguilera Christina María Aguilera (; ; born December 18, 1980) is an American singer, songwriter, actress, and television personality. Known for her four-octave vocal range and ability to sustain high notes, she has been referred to as the " Voice of ...
as her 2006 hit, "Candyman (Christina Aguilera song), Candyman".


Derivative forms

The boogie-woogie fad lasted from the late 1930s into the early 1950s, and made a major contribution to the development of jump blues and ultimately to rock and roll, epitomized by Fats Domino, Little Richard and Jerry Lee Lewis. Louis Jordan is a famous jump blues musician. Boogie-woogie is still to be heard in clubs and on records throughout Europe and North America. Big Joe Duskin displayed on his 1979 album, ''Cincinnati Stomp'', a command of piano blues and boogie-woogie, which he had absorbed at first hand in the 1940s from Albert Ammons and Pete Johnson. The trickle of what was initially called hillbilly boogie, or Okie boogie (later to be renamed country boogie), became a flood beginning around late 1945. One notable country boogie song from this period was the Delmore Brothers, Delmore Brothers' "Freight Train Boogie". More representative examples can be found in some of the songs of Western swing pioneer Bob Wills. The hillbilly boogie period lasted into the 1950s, the last recordings of this era were made by Tennessee Ernie Ford with Cliffie Stone and his orchestra with the guitar duo Jimmy Bryant and Speedy West. Bill Haley (musician), Bill Haley and the Saddlemen recorded "Sundown Boogie" in 1952, which once again featured the guitar playing the boogie-woogie rhythm. Boogie-woogie continued in country music through the end of the 20th century. The Charlie Daniels Band (whose earlier tune "The South's Gonna Do It Again" uses boogie-woogie influences) released "Boogie Woogie Fiddle Country Blues" in 1988, and three years later in 1991 Brooks & Dunn had a huge hit with "Boot Scootin' Boogie". In addition, some tradition-minded country artists, such as Asleep at the Wheel, Merle Haggard, and George Strait, incorporated boogie-woogie in their recordings. In the many styles of blues, especially Chicago blues and (more recently) West Coast blues, some pianists and guitarists were influenced by, and employed, the traditional boogie-woogie styles. Some of the earliest and most influential were Big Maceo Merriweather and Sunnyland Slim. Otis Spann and Pinetop Perkins, two of the best-known blues pianists, are heavily boogie-woogie influenced, with the latter taking both his name and signature tune from Pinetop Smith. In european classical music, Western classical music, the composer Conlon Nancarrow was also deeply influenced by boogie-woogie, as many of his early works for player piano demonstrate. "A Wonderful Time Up There" is a boogie-woogie gospel song. In 1943, Morton Gould composed ''Boogie-Woogie Etude'' for classical pianist José Iturbi, who premiered and recorded it that year. Povel Ramel's first hit in 1944 was ''Johanssons boogie-woogie-vals'' where he mixed boogie-woogie with waltz. 21st-century commentators have also noted the characteristics of boogie-woogie in the third variation of the second movement of Ludwig van Beethoven's Piano Sonata No. 32 (Beethoven), Piano Sonata No. 32, written between 1821 and 1822.


See also

*Boogie *List of boogie woogie musicians


References


Further reading

*Silvester, Peter (2009/1988). ''The Story of Boogie-Woogie: A Left Hand Like God''. Da Capo Books. . {{Authority control African-American music 19th-century music genres 20th-century music genres American styles of music Blues music genres Articles containing video clips Jazz terminology